cecilie bahnsen collection #2.

ph, oliviafrolich.dk

i don't usually write much about collections but i loved this one too much not to. it seemed like the perfect transitional collection from a pastel hazed summer into a stark, steeled autumn; from sea nymph to english rose. the juxtaposition of candy pastels and washed charcoals, of mermaid sequins and chunky knits. i also love her frost bitten lips and dirty hands; like she'd been caught in the cold without a coat, oil-painting a masterpiece.

lust.

handbags, the row. starting at 4,700.

if i could forgo every birthday and christmas present from here until eternity for one of these i would.

k 213.

my copy of acne paper came in the mail only two days after its release but i waited until i had a night off, a baroque soundtrack and a bottle of merlot to join me before i dug in.

less is more.

"It doesn't scare me that the images aren't retouched, it adds another layer of interest and intrigue," Trindle told us. "I'm as guilty of a slight polish in post as any, but having beautiful woman sit by a window doesn't fill me with unease. The fear that surrounds an un-retouched image is quite amazing - and again I'm no martyr. So much can be adapted in post, and so I suppose the main benefit is its purity."

models for the untouched exhibition by scott trindle. on display at the rochelle school in east london. i swear there is nothing more beautiful than a woman without makeup on. via vogue.co.uk

simple.

kate moss by mario sorrenti, corrine day and unknown.

it's summer and i'm obsessing over simple tanks and bikini underwear. calvin klein/kate moss style. worn everywhere; except where more clothing is absolutely necessary.